Terence Blanchard – Breathless

Terence Blanchard

Terence Blanchard’s – Breathless – leaves me just that way!

 

One of the  albums that has spent considerable time in my music rotation over the last few weeks is Breathless the latest release from Terence Blanchard and the E-Collective. Terence Blanchard’s music career started in the 1980s first touring with Lionel Hampton and then replacing Wynton Marsalis in Art Blakey‘s Jazz Messengers. Since then he has been a prominent force in the jazz community.with 5 career Grammys out of his 13 career Grammy nominations, Terence has released twenty albums since his debut in 1984. Blanchard has probably reached his widest audience through his work as a film composer. His trumpet can be heard on nearly fifty film scores; with more than forty of the films scores were composed by Blanchard. As if all that was not enough to do, since 2000, Blanchard has served as Artistic Director at the Thelonious Monk Institute of Jazz.and in August of 2011, he was named the Artistic Director of the Henry Mancini Institute at the University of Miami Frost School of Music! Some people can do it all!.

Throughout the majority of his career Terence Blanchard has been recognized  as a straight-ahead artist in the hard bop tradition but has recently developed an African-fusion style of playing. i believe that his unique style has been fully developed in Breathless. Back in the 70s one of my favorite jazz albums was Miles DavisBitches Brew, Breathless has captured me the same way that album did, The two tracks I love are “See Me As I Am” and :”Everglades” with the later really reminding me of Miles!

The inspiration for Breathless was the killing of Eric Garner  by New York City police officers.  Blanchard decided to put together an album using Garner’s death as the focus. To help with the album he surrounded himself with some young and hungry talent including:: drummer Oscar Seaton, keyboardist Fabian Almazan, bassist Donald Ramsey, guitarist Charles Altura. The album’s title Breathless was based on Garner’s last words, “I can’t breathe.”

Blanchard explained in a Cuepoint blog:

“That chant has become a very poignant message, creating a very powerful metaphor that explains a lot about how a certain segment of our society feels right now,”  “If you think this is a minority, a small crowd of disgruntled citizens, you have no idea what’s coming down the road. To see the reports that came out of Ferguson, to see a police department deliberately target people in a country that puts ‘the land of the free’ on everything it can print. You know it’s a lie. It feels like every week there’s another YouTube video going viral of police brutality, or civil rights being sent back to the 1800s.

Breathless is my attempt to draw more attention to that. This is our E-Collective version of a protest album, without the firebrand lyrics of Phil Ochs, but in mood and purpose. Much in the same way John Coltrane’s tune ‘Alabama’ captured the immense pain and suffering of a nation as it mourned the death of those four little girls lost in the firebombing of that Birmingham Church. Coltrane’s melody made me cry and made me feel the hurt of an event that happened decades before, when I was too young to understand what the hell was really going on. As well, there’s Jimi Hendrix’s ‘Power of Soul’ as another example. That track holds the cries of that generation who wanted desperately to move away from war, racism and sexism. You can feel Hendrix’s lyric — ‘with the power of soul, anything is possible’ — rippling through Breathless as an undercurrent.” Read more at AXS

You can watch  Terence Blanchard discuss his inspiration for Breathless here

Bottom Line: Terence Blanchard’s Breathless is an amazing album and may well be my favorite jazz album of 2015. The tracks are all consistently interesting with Blanchard’s trumpet setting just the right tone throughout each track! Sometimes the beginning of an album sets the tone for the whole album and with the great Les McCann and Eddie Harris Harris’ “Compared to What” leading off, followed by :”See Me As ‘I Am” and “Everglades” a great tone is set and the high tone and quality doesn’t stop until the closing tracks :”Cosmic Warrior” and “Midnight” So Check t Out!!

P.S. anyone who mentions Phil Ochs is tops in my book!!

Here’s is a live Terence Blanchard and the E-Collective performance of “Everglades”  I know it’s long – just turn down the lights and drift…….

 

Thomas Marriott

Primary Instrument: Trumpet

Born December 16, 1975

 

ThomasThomas Marriott Marriott is an award-winning and chart-topping jazz trumpeter from Seattle, Washington. Marriott is an eight-time Golden Ear Award recipient. The Golden Ear Awards celebrate contributions and achievements in Seattle Jazz.  In addition to his Golden Ear Award Marriott won the prestigious Carmine Caruso Jazz Trumpet Competition in 1999.

Marriott’s jazz career started, when after winning the Carmine Caruso competition, he headed EAST! In New York City, he joined Maynard Ferguson‘s Big Bop Nouveau Band. Marriott completed three world tours with Ferguson’s band and Ferguson has called Marriott  “a truly great jazz trumpet player”!

Over the course of his career, Thomas Marriott has played on more than 100 recordings with musicians of all genres and styles including: Rosemary Clooney, Joe Locke, The Tito Puente Orchestra, Brian Lynch, The Chico O’Farrill Orchestra, Eric Reed, Les Brown and the Band of Renown, Kenny Kirkland, Charlie Hunter, Ritchie “Alto Madness” Cole, and many others.

Marriott’s career as a leader started in 2005 with the release of Individuation,  he has released a total of eight albums.

Individuation – released on Origin Records, and was named one of  the top 10 jazz records of 2005 by WBEZ radio, Chicago.

Both Sides of the Fence – released in 2007  received over 3300 spins nationally, and rose  into the top ten on jazz radio.

Crazy: The Music of Willie Nelson  released in early 2008 received wide critical acclaim.

“This album [Crazy: The Music Of Willie Nelson] is a kick in the pants!”- Jazz Times Magazine

Flexicon released in 2009 climbed to number 10 on the national jazz radio airplay charts.

East-West Trumpet Summit released in 2010  saw Marriott collaborating with trumpeter Ray Vega.  That album made it all the way to number one on the national radio airplay charts and stayed, in the Top Ten for 10  weeks and was also featured on NPR’s “Morning Edit”

Constraints & Liberations – 2011

Thomas Marriott’s fifth CD as a leader marks a substantial departure from his earlier efforts. Not only does he focus exclusively on originals for this session, but his approach to the trumpet has moved away from a forceful pop style to a more reserved yet emotional technique Read more 

Human Spirit – 2012

This is a rare album that showcases all of the players at their highest levels, in both solo formats and intertwined…… This is the key to the album — the mix of styles and spotlighted abilities created by a set of top-flight players in their primes working together. More at AllMusic

Urban Folklore

 

Urban Folklore – 2014

FreeWheelin’ Jazz Safari: Thomas Marriott – Urban Folklore

 

 

Here’s what some folks have to say about the music of Thomas Marriott….

“Tom Marriott is a very accomplished young trumpet player. Recent hangs with Tom have reminded me of how much I enjoy his playing.” –Brian Lynch

“Thomas Marriott presents a musical vibe that is contagious and pleasing, brimming with creative imagination, technical fluency, and a deep respect for the jazz tradition.” – Jim Ketch, International Trumpet Guild Journal

In addition to his own work, Marriott  has produced albums for a number of artists including saxophonist Hadley Caliman and trumpeter Ray Vega. He has also served on the Board of Governors of the Pacific Northwest Chapter of the National Academy of Recording Arts & Sciences and the Board of Directors of Earshot Jazz. Since his return to Seattle in 2004 he has been the featured trumpet soloist with the Seattle Repertory Jazz Orchestra. Thomas Marriott is  like many jazz artists and I don’t think he ever sleeps!!

From YouTube.….

The collective talents of Matt Jorgensen, Tom Marriott, Ryan Burns and Mark Taylor come together as Human Spirit, currently on Origin Records. The four jazz greats perform a Tom Marriott original, “Reversal of Fortune”

This Day in Music – May 25, 1960 – In Philly – Jazz Trumpeter Wallace Roney was born! (video)

Wallace Rooney 2Today is the great Miles Davis‘ birthday. He shares his birthday with the only trumpet player that he ever mentored Wallace Roney. Wallace was born in Philadelphia in 1960 So he is too young to have experienced 1960, which was the year that former Whiz Kids manager re Eddie Sawyer resigned as the hapless Phillies’ manager after a 9-4 opening day loss to the Reds and said.: “I’m 49 years old and I want to live to be 50.”  But I digress so it’s back to Wallace.

It was discovered when he was 4 years old that Wallace had perfect pitch (which the Phillies didin’t have as they choked in the clutch and lost the pennant to the Cards- sorry). After beginning his musical studies at Philadelphia School of Music, by the time he turned 7 he was studying with Sigmund Herring of the Philadelphia Orchestra. He studied with Herring until Herring’s death in 1980. Along the way Clark Terry and Dizzy Gillespie provided young Wallace instructions.

From 1985 until his passing in 1991 Miles Davis was Wallace’s music instructor, mentor and friend helping to challenge and shape Wallace’s creative approach to life. In 1979 and again in 1980, Wallace Roney won the Down Beat Award for Best Young Jazz Musician of the Year. In 1989, and again in 1990, Wallace won Down Beat Magazine’s Critic’s Poll for Best Trumpeter to Watch.

In his career as a leader, which started in 1987, Wallace has released 18 albums. He has also served as a sideman on 6 albums, recording with such greats as Art Blakey (replacing Terrence Blanchard), Dizzy Gillespie and Tony Williams. He has also been an important member of the following musician’s bands: Elvin Jones, Philly Joe Jones, Walter Davis Jr., Herbie Hancock, Jay McShann, David Murray, McCoy Tyner, and been a featured soloist with Ornette Coleman, Sonny Rollins, Curtis Fuller, Carole King, and Joni Mitchell

MisteriosAnd to think that I missed all that and only discovered Wallace’s music a few months ago! What a putz I am! So in an effort to start catching up, since his latest release Understanding is not on either Spotify or Mog. I went to AllMusic to see which of the albums Spotify did have were the best. It seemed that just about all the albums had a four-star rating, so I went with the oldest album available, Misterios released in 1994. I made that album the soundtrack on the drive down to babysit my grandson, Oliver, this afternoon and evening! Now it probably not the best road trip album, because it is mostly ballads. AllMusic labels the album’s moods as dreamy, yearning and sentimental. But while the album didn’t perk me up, it did make for a very relaxing drive!

The album contains a variety of ballads from the likes of Lennon & McCartney, Dolly Parton, Egberto Gismonti, Jaco Pastorius and Pat Metheny. The album is dominated by Wallace’s great sounding trumpet and arranger Geri Allen’s, (who does a great job by the way with the arrangements, in this no nothing’s opinion anyway) piano. Occasionally, some great drumming can be heard, provided by Eric Allen, and some tenor sax from Antoine Roney, along with a variety of strings on a few tracks. Overall, it was a great introduction to Wallace’s music, which I hope to explore in more depth, as I continue my jazz education!!

So turn the lights down low, oh before that let’s wish Wallace a happy 54th birthday!! and enjoy Pat Metheny;s “In Her Family” from the album Misterios….

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This Day in Music – May 1, 1982 – Jazz Trumpeter Ambrose Akinmusire was born (Video)

the imagined savior is far easier to paintOn this day May 1st in 1982 Ambrose Akinmusire (ah-kin-MOO-sir-ee) was born in Oakland California.  His latest release The Imagined Savior is Far Easier to Paint  has been in my listening rotation and I have enjoyed it! This was not my first meeting with Mr. Akinmusire, winner of the 2007 Thelonious Monk International Jazz Competition, the Carmine Caruso International Jazz Trumpet Solo Competition, two of the most prestigious jazz competitions in the world. No, I first listened to his trumpet back in August of last year when  I  spent A Night of Exploration – Contemporary Jazz Trumpeters! Since then I have listened to his second album on Blue Note records,When the Heart Emerges Glistening  and I like it more and more with each listen. The New Yorker calls Ambrose:               “a thrilling young trumpeter and astute bandleader [with a] unique spark in his playing”  Ambrose’s musical journey started when Steve Coleman asked the then 19-year old Ankinmusire Manhattan School of Music student to join a European tour with his Coleman’s Five Elements. After the tour Akinmusire returned to the West Coast and received his Master’s Degree from the University of Southern California. In 2007 he attended the Thelonious Monk Institute of Jazz, and studied with Herbie Hancock, Wayne Shorter and Terence Blanchard. the imagined savior is far easier to paint  is Ambrose’s second release on Blue Note Records and the second with a title that is pretty long. On his website he says…..

: “I don’t think I’ve been able to make an album yet where one word can capture the whole vibe. Maybe eventually I will. Right now I’m drawing from so many different parts of myself, and things that are outside of myself, that it’s hard to just have one word that says, ‘This means this.’”…. “The last album was about me — about things that I was experiencing and trying to change or accept about myself. The inspiration for this album is things outside of myself: people that I know, documentaries that I’ve watched, characters that I’ve made up.”

Of the thirteen tracks on the album 12 of them are Akinmusrie compositions. Many of the song titles have a name attached in parenthesis indicating the name of the character upon which the song is based. Examples of the named tracks are

“Ceaseless Inexhaustible Child (cyntoia brown)” — dedicated to the imprisoned young woman at the heart of the documentary The 16-Year-Old Killer  and  “asiam (joan),” ….inspired by Joni Mitchell — specifically, Michelle Mercer’s portrait of “Joan” in her 2009 book Will You Take Me As I Am: Joni Mitchell’s Blue Period  Read More

.The core quintet on the album in addition to Ambrose features: tenor saxophonist Walter Smith III, pianist Sam Harris, bassist Harish Raghavan, and drummer Justin Brown. On this album, Ambrose increased the size of the band by adding guitarist Charles Altura, as well as, the OSSO String Quartet and flutist Elena Penderhughes! In addition, he brought in vocalists Becca Stevens, Theo Bleckmann, and Cold Specks. The cool thing about the album, is that Ambrose gave the above guest vocalist a sketch of an idea and allowed them to create their own lyrics based on that idea.The two songs “Ceaseless Inexhaustible Child (cyntoia brown)”  and “asiam (joan),”, mentioned above,  feature Cold Specks and Theo Bleckmann respectively. Summing it up, the imagined savior is far easier to paint is a great album, that’s sure to be near the top of many reviewers “Best of 2014” lists. So check it out!! Links Website Wikipedia Facebook Amazon Finally, let’s send a big “Happy Birthday” to Ambrose, while we watch and listen to Ambrose and his quintet live @ Belgrade Jazz Festival in 2012!

P.S. and my SECOND son, Andrew, was one month old!!